philip bloom

LensFlareLive is a show created and brought to you by Dave Warner. In this week’s episode, panelists Philip Bloom, Scott  Bourne and Steve Weiss discuss HD DSLR’s, convergence, fusion, video and film. In addition, they answer questions that came in via email, Twitter and from the live listening audience.

For the past 20 years Philip Bloom has been following his passion as a career, which has taken him around the world to places he has felt privileged to have seen. He has filmed, directed and edited short films, documentaries and much more from Clapham to Cambodia. In 2005, he was short listed for a BAFTA craft award for his series of short films for Sky News “If I were Prime Minister.”

Philip is one of the new breed of cinematographers. Over the past three years he has embraced the 35mm film adapter market, shooting on HD video but making it look close to 35mm film. He has also have recently embraced the video DSLR cameras, in particular the Canon 5d Mk2 and the Canon 7d and become world-renowned for his expertise with those systems.

Scott Bourne is a new media producer, consultant, photographer, author, lecturer, teacher, technology enthusiast and Twitter Ori Master. He is an award-winning photographer who is known for his use of color, shape and form and is a pioneer in the digital imaging field. Scott regularly lectures on a variety of photo and media-related subjects. He has appeared on national television and radio shows and has written columns for several national magazines. He has focused considerable energy on video in DSLR’s, exploring the capabilities of Canon 5D Mark II’s, 7D’s and now the Canon 1D Mark IV. He is also the host of PhotoFocus.com .

Steve Weiss is with Zacuto – makers of Custom Camera Packages & Zacuto Brand Accessories for both video and DSLR cameras that have video capability. Zacuto is a one-stop-shop for customized camera packages. This includes the latest technology in high definition, where their trademark camera packages are designed by Zacuto staff members who have over 45 years of combined film and video experience. Zacuto USA products are entirely designed and manufactured by Zacuto and made in the USA, with input from staff and customers.

Podcast on iTunesTo listen to the full podcast interview, click on the player’s forward arrow below. You can also play the Podcast in a pop up window, download it OR subscribe to it via iTunes. To find out when the next live show is going to air, visit our Live Shows page.

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Well, film maker Philip Bloom seems to have done it again. He starts out by telling you how he missed an email from Rick McCallum, producer of the Star Wars prequels and many other films and TV shows at Lucasfilm. In his blog post, he details what it was like to be invited out to Skywalker Ranch in California. Seems like the Lucasfilm folks wanted to know more about the capability of the video DSLR’s, and in particular the Canon 5D and 7D. So, Philip was excited and jumped on a plane to head out there. But what he does next, is the amazing part of the story.

He gets to the ranch and starts shooting. In his mind he has a plan of how he is going to shoot several different kinds of footage, in different lighting and weather conditions to show the power of these cameras. I don’t know if he storyboarded the whole film ahead of time, or just shot tons of footage and then figured it all out when he got back to his room. This film has all kinds of cool things going on, from the use of focus, a glidetrack, time lapse photography, etc. Philip gets it all downloaded to his computer, converts it to 24P (the 5D Mark II footage – 7D footage shot in native 24P), then puts the production together and has it shown on a 40′ screen with George Lucas, Quentin Tarantino and others in the audience. All this in 24 hours!  They were blown away with the final product and so am I.

I don’t believe that I’ve seen a better example to date of what these video DSLR’s can do. On top of that, I’m amazed that one person can have the vision, shooting experience, editing ability AND the capability to put together a final product to music that synced as beautifully as Philip did. This is another reason why he’s becoming the defacto expert on these cameras. Each time he makes a film with them, he breaks new ground.

Watch the video, visit his blog, buy his DVD’s if you haven’t figured this stuff out yet, or follow him on Vimeo or F-Stop Academy. If you have an interest in using the video capability of your camera, he’s the one to watch.

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Canon 7DPart of getting either the Canon 5D Mark II or the Canon 7D is the excitement of having that 1080P HD Video capability. I know that when I got mine, I had visions of these wonderful clips just spilling out of the camera and onto my hard disk. I’d look at some commercials on TV, or some scenes in a movie and I’d turn to my wife and say “I can do that now – I have that capability in my new Canon!”

So, next stop read the manual? Yup, I did that; didn’t understand half of what they said, but thought I had everything set up the way it should be and went out and shot some video. Well, the problems started right after downloading the footage off the camera. Ok you Apple owners, here’s your first laugh – I am a PC user and the footage looked great in QuickTime, but stuttered and was not smooth, audio didn’t sync with the video and a host of other problems.

Well, let’s just shorten this WHOLE initial experience to a few words. After several weeks of trying to research on the Internet, testing different pieces of software, crunching pieces of video clips from here and there, I STILL didn’t have anything that I could put together on Vimeo or YouTube. And no, I was NOT going to post another ‘Test’ piece of 5D Mark II footage up there that was pure babble! Isn’t there enough already?

So, I was lost, disappointed, upset, and really feeling like there was no way to get any decent video footage out of the camera. I’d wasted my money upgrading because my 5D had been just fine for the landscape images I was taking with it! And yes, my wife WAS giving me ‘the look’ for spending money on yet another toy that “I just had to have because you won’t believe the capability it has and the things I’ll be able to do with it” kind of story.

During all that research, I had figured out a few things:

1. I was NOT the only one out there with this problem
2. There wasn’t much information about EXACTLY what I needed to know to make this work
3. There was no list telling me WHAT extra hardware I had to have and what it would cost
4. There was no list of additional software I needed and exactly what I would have to do with it to get a nice piece of video out of it (Apple users – the all-in-one answer for everything was Final Cut Pro)
5. There was almost NO information about what software to use on a PC and HOW to use it
6. Steve Weiss (Zacuto), Vincent Laforet, Philip Bloom and a few others were doing a LOT to help educate people and to help.

So, I tried contacting the first three names I’d come up with for interviews. I figured I would learn SOMETHING from talking to them, which would help me, as well as everyone else. So, I booked Steve Weiss and learned a lot, had Vincent Laforet booked, but then Canon told him to pull down his video of Nocturne shot with the (at that time) brand new Canon 1D Mark IV – haven’t heard from him since. FINALLY booked Philip Bloom after chasing him around the globe via Twitter, email and peer pressure from his friends. I learned EVEN more from him. During his podcast interview, he had mentioned his affiliation with F-Stop Academy and the products they were trying to create on DVD, so I thought it was worth a follow-up and here we are.

Philip Bloom

So who is this Philip Bloom guy? Well, he is widely regarded as the worlds leading authority on low budget digital film making techniques. He recently hit two million views on his blog and is regarded highly in the indie film making world as a modern ‘guru’ of digital film making practices. In recent months he’s filmed a commercial in Bulgaria for a National Mobile Phone network, he spent ten days in India shooting a Viral for Greenpeace and then he shot a promo in London with Kevin Spacey – all on the Canon 5D Mark II. He also had some VERY popular videos on the web, including Sophia’s People.

Well, Philip and his partner Den Lennie decided to found F-Stop Academy in May of 2009 to answer the most frequently asked question by film makers worldwide – “What’s the best camera for creating the film look and how do you use it?” Best news is, that same question happens to be the one many of the stills photographers were asking about these cameras.

300px_5d_3d
So they set about creating a course that would break down all the elements that would allow you to create images and films that mimic the look and feel of film using your video camera. Their first two DVD’s are a great chance to start answering some of the questions that myself and many others have had about shooting video with these types of cameras, AND in particular the 5D Mark II or 7D from Canon.

After my interview with Philip, I contacted him and asked if I could review the two DVD’s. He kindly said yes, and I downloaded the digital version of the one for the Canon 7D and Den sent me the 5D Mark II DVD via Priority Mail.

I’m going to focus my comments on the 5D Mark II DVD, since Phillip said they were very similar. Here’s the table of contents for the DVD:

Main Program (57 minutes)
1: Main Titles & Introduction
2: My 5dmkII history
3: Shooting with the 5dmkII
4: What kit do you need?
5: Setting up the camera to shoot video
6: Setting your ISO
7: Creating the best in camera picture style
8: Getting the correct exposure
9: Lenses
10: Lens discipline
11: Using a Macro Extension
12: The Mattebox
13: Follow Focus
14: Using a video monitor
15: Monopod & view finder
16: Variable ND filters
17: The IS Lens
18: Shooting handheld
19: Avoiding the “Jello effect”
20: Shutter speed
21: Getting the depth of field YOU want using the Fader/Vari ND
22: Shutter speed in artificial light
23: Sound
24: Best way to learn? Go out and shoot!

Workflow (17 minutes)
1: Bringing your footage into your computer
2: Converting to a format you can edit with
3: How to convert to 24p or 25p
4: Using Cinema Tools to change frame rate
5: How to sync sound

The Plus Side

The packaging is great, the DVD is professionally designed and put together, and the video footage (of course) is high quality and edited well. I think that many people will get bored right off the bat with chapters two and three, but I personally think they are essential! I wanted to know about Philip’s history and how he got started with all of this. Yes, I didn’t learn anything about using the camera, but it did give me some perspective on who he is and why he got into using these cameras. I also liked the next chapter where he talked about actually going out and using them and showed examples of his more popular ones. It gives you additional perspective if you can hear about it and watch it at the same time.

The remaining chapters were excellent, as they piece by piece explained different aspects of how to set the camera up, additional equipment you can/must use, and how to shoot with it. After watching this, it is a wonder I got anything out of the camera at all! I think I had all the settings incorrect (after actually reading the manual).

One thing to remember though is that this is a beginner’s introduction to all of the material. It just begs the question – is there going to be a MUCH more in-depth version of the DVD coming out? One that covers some of the same title areas, but goes deeper with examples of how it was shot, downloaded, manipulated and then finally edited?

The bottom line is that unless you are already successfully using the camera and getting great video out of it, this is a must-have DVD. It will save you SO much time right up front when you get the camera. I wish I’d had it weeks ago…

The Downside

Occasionally, Philip uses some terminology in the DVD that he doesn’t explain. For instance, what the heck are rushes? You eventually figure it out, but for those starting out, you don’t know what he’s talking about!

The menu settings – he went through them WAY too fast! I’m familiar with the camera and the menus, but not to THAT level! He was clicking and changing screens so fast, that even with extensive use of the Pause/Play button, it took me a bit to mimic his settings.

The Workflow section – kind of just an introduction, so there MUST be another video on the way. It clearly left me wanting, and for PC users – you will be lost. It doesn’t answer a single thing for you. You will know how to get your settings correct in the camera, and shoot some great video, but you won’t be able to do a thing beyond that unless you’ve already figured it all out.

And Finally Price – I think the pricing on the videos is WAY too high; $135.00 for the Canon 7D video and $120 for the 5D! Whether you get it on DVD, or download it digitally, the price is the same. There should be some kind of price break for the digital download, since there is no postage, handling, physical packaging, or anything else involved. I think I’d rather see $59.00 for the DVD and $49.00 for the digital download. I think they’d actually make a LOT more money with the better pricing – hard to say no to those amounts!

Here are the links to purchase either of these:
Learn Canon 5D mkII Cinematography with Philp Bloom ** Add to cart**
Learn 2 Shoot Great Video on your Canon 7D **You can buy the DVD downloads here**

Review of the Canon 7D DVD

After going through the 5D Mark II DVD, Philip then asked me to take a look at the one for the 7D.  He said that he thought it was much better. I went through that DVD as well, and would have to agree with Philip. I think it was more polished, they answered more questions and gave the information out in a much better fashion, and they added a time-lapse section as well, which was pretty cool. Other than some minor settings for the 7D, you could use the information in this DVD and apply it to shooting with the 5D just as easily. So, you make the call as to which one to buy, but at least one of these is a must for getting started with video.

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